WIP - Fibre Art Journal Class Sample

I am working on a new class sample for a workshop I will be teaching this fall ... and condensing it from a four-day workshop into two days!  It has been a bit of a challenge to figure out what I will have time to teach in those two days and to give the participants a vision of how their finished journal will look.

The accordion style journal is such fun to make and I hope that these students will enjoy the process as much as the finished product.

So far, I have created all the fibre art samples that I am going to include and now I am working on the finishing touches ... finishing the outer edge and adding some more embellishments to the pages.

Here is one side of it so far ...

and this is the other side, photographed with some of the threads and beads that I am considering ...

I hope to finish this pretty darn quickly and will post some more photos of it later.

By the way, a WIP is a Work in Progress :)

Fluttering By

 My butterflies art quilt had its first showing at the Salmon Arm Quilt Show earlier this month and it received lots of oohs and aaahs when visitors took the time for a close look at it.  It measures approximately 20" x 34" and I blogged the process in March if you would like to scroll down to find that post. I am pleased with the way that it has turned out and I'm sure that I will enjoy continuing the butterfly theme into future work.

Here is a detail shot of one of the butterflies. I created the butterflies separately and then machine appliqued them to the quilt before adding hand stitches. The bodies of the butterflies are wet-felted wool. If you click on the photos you can zoom in for a closer look.

This art quilt has been entered in the Shuswap Lake Festival of the Arts show in July.
UPDATE: This piece was awarded "Jurors' Choice Award" at the SLFA July 2013.

Quilt Show Display

I spent the last two days at the Salmon Arm Quilt Show and I was SO impressed with the quality of this show.  The 300 quilts were beautifully displayed in the arena ... with nice wide aisles so that the quilts could be viewed without congestion. As well as the guild's quilts they had invited vendors and related "fibre" groups such as the needlework guild and the spinners and weavers guild to display at the event. I was invited to be the "featured fibre artist" and I was given a wonderful 8' x 16' space to display my fibre art.

I have never had that much space before so I spent quite a bit of time thinking about how I would set it up and came up with the idea that I would like to have part of it set up as an old parlour ... but displaying my contemporary fibre art. 

Here are a couple of photos of the set up, complete with my antique rocking chair, tea wagon and parson's table. I even included two antique handmade quilts that belonged to my husband's grandmother. I don't do that kind of quilting, but it is where fibre art originated, too, so I was pleased to be able to include them. The gridded frames where I hung some of my purses were originally the frames for screen windows at our hundred year old church before they replaced the windows.

Quilt Show in Salmon Arm

The Shuswap Quilt Guild is hosting a quilt show on June 7th and 8th to mark their 20th Anniversary. I am honoured that they have asked me to be their featured fibre artist and I will be displaying many of my art quilts, felted fibre art, and silk fusion at the show.  I hope that if you are in the area you will drop by on June 7th or 8th during the show times.

Heartfelt Wishes for Libby

Quilt Canada is in Penticton, BC later this week and have been reflecting on the unfortunate medical issue that Libby Lehman is dealing with at this time. Libby was scheduled to be the keynote speaker and instructor at Quilt Canada but she suffered an aneurism and stroke a couple of weeks ago and is unable to attend.  Those attending the event this year have been invited to bring a quilt block with a heart image (6.5" unfinished) and they will be made into a quilt for Libby.

I decided that I would like to make a block for her and last night I put together this one that has some of the techniques I enjoy so much. I placed my heart on a background that was cut from an unfinished quilt started by a close fibre artist friend. The background is machine and hand pieced and the pale section has been painted and stamped. The heart that I added was made by layering red organza over thread waste and some glittery bits and then stitching it down. A few little lashes peek out from behind the organza so that you can see just what is under there.

A purse for the mother of the bride

I haven't posted any of my purses for a while so thought that I would write about this one that I just listed in my Etsy shop today.  The flap has been created using pieces of silk drapery samples that a friend gave me several years ago. They are each gorgeous fabrics but when they are used together in a piece like this they become absolutely sumptuous ... the colours are rich but subtle and are well placed against the backdrop of creamy ivory dupioni silk.

The flap is asymmetrical in shape and is accented by a vintage mother of pearl buckle that has a collection of funky yarns tied into it. There is a velcro closure for the flap that adds just a bit of security.

This purse has a long strap that is made of the same silk as the body of the purse, and padded with a thin layer of quilt batting. It can be worn from the shoulder or across your body where it will lie nice and close.

I think this would be a wonderful purse for the mother of the bride or for any special occasion, although it could be worn with classy casual clothes and make a statement there, too.  It measures approximately 7" x 10" and has one pocket on the inside.  If you'd like to see more photos of it, click on the listing in my Etsy shop for more details.

Butterflies - Work in progress

Work In Progress

This is an art quilt that has been in progress for quite a while, especially if you count the time between when I dyed the fabric and then finally decided what to use it for ... this is actually the first piece of fabric I ever dyed and it was done in a workshop over ten years ago.  I absolutely loved it ... too much to ever use it!

Two or three years ago I decided that it would be a wholecloth background for a butterfly quilt and I jumped in to designing it and creating very stylized butterflies for it. When it came time to actually attach the butterflies to the background (which I had already quilted by then) I just couldn't do it ... the butterflies just didn't feel right. I rolled the quilt up and went on with other projects but every now and again I would go back to it to see if I could figure out what was wrong with it.

A few months ago I decided that I needed to really focus on this quilt, because it meant a lot to me ... so, I hung it on my design wall where I looked at it each time I entered my studio, and eventually I decided to experiment with a different design of butterflies.  I still wanted them to be fanciful butterflies, but they needed to be a bit more realistic than the first ones I had designed.

These butterflies were all created as separate entities but before I quilted them to the background, I added a gently drifting layer of gold organza that was then hand stitched with variegated gold thread in a seed stitch ... and then I added a sprinkling of gold seed beads to catch a bit of light. (Sorry the colours are not very true on these detail shots ... it is closer to the gold and mossy green of the full size photo)

After the butterflies were machine stitched (using lots of free motion stitching in a variety of threads) I then switched to hand embroidery, using funky stitches and different threads, sometimes layered two or three deep for added texture.

Remember, you are looking at a work in progress . . . it still is not finished!  I will give these butterflies some bodies and some antennae ... I have made quite a few samples of bodies to try out, but haven't settled on what I will use ... and I haven't created quite the right set of antennae yet, either. 


Here are some of the samples I am pondering for bodies . . . felted, wrapped yarn, silk cocoons, fluffy yarn (trimmed), and I'm going to try some painted tyvek, too . . .


So those are the choices still to come on this creation . . .

Quilt Week at Sorrento Centre: April 19-25

It is just two months until Quilt Week at Sorrento Centre . . . one of my favourite weeks of the year!!  Come and join me, Dianne Jansson and Lynn Knox as we engage in a creative and energizing week at Sorrento Centre in April.  Three workshops occur simultaneously in two different conference rooms and the art studio . . . but the fun spills over into each workspace and the dining room where we share our meals.

You get to choose the workshop that most appeals to you and spend five days with the instructor, learning techniques and creating your quilt . . . but you also have the opportunity of seeing what the others are doing and creating.

Dianne Jansson will be leading a Salute to Scrap Quilts . . . as she says, every quilter knows that fabric scraps multiply in the dark at night. No matter how many you use, there are always more, more, more.  It is also a fact that scrap quilts are part of the quilting heritage, and have a richness that cannot be duplicated with 4 or 5 well matched fabric selections.
Bring your bags, or suitcases, of scraps to Sorrento and spend a week creating exciting quilts designed using value, rather than colour. The selection of patterns suitable for scrap quilts is extensive, ranging from ultra simple to challenging, allowing you to work within your comfort zone, or step right out of your box.

Lynn Knox will be leading Trail to Sorrento, a beautiful quilt that can be made in single size or queen size. Light background or dark background - your choice.  The outcome is a stunning quilt and it is easy to make. You will love it!!  This workshop is suitable for all skill levels from beginner on up.

I will be leading an art quilt workshop Botanical Art Quilt: Surface Design during which participants will create a unique art quilt using locally gathered leaves as inspiration. The art quilt that you create in this workshop will be based on a variety of surface design techniques that will include texture rubbings, sheer overlay, Shiva Paintstiks, painting over quilting,  free motion quilting filler stitches, 3-D organza leaves, accent hand stitching and a touch of beading.  We will try out the techniques and then you will decide which ones you want to include in your art quilt. I recommend soft hand-dyed fabric or batiks for this 18-20" art quilt that you will be delighted to hang in your home. This workshop is suitable for those wanting to dip their toes in the fibre art pool as well as those who already have some experience.

This is a wonderful retreat-style workshop with five days of classes, bonus sewing time in evenings or early mornings and delightful company in this relaxing venue. The meals are great, the lodge rooms comfortable and the setting in heavenly. Participants in all three workshops meet at mealtimes and for evening activities.

There is more information about registration, accommodation and meal packages on the Sorrento Centre website here and if you have any questions you are welcome to email me at kwk4141(at!) gmail.com (you know how to fix that up so the email reaches me but the robots don't)

Fluttering by with a Work in Progress

One of my art quilts has been "stalled" for a couple of years . . . I started out with wonderful ideas of doing a flight of stylized butterflies across a background of hand dyed fabric (the first piece I ever dyed, that I had been saving for years!) . . . but as I approached the critical time of adding those butterflies, I found that they had lost some of their allure.  I couldn't figure out the problem so I finally rolled up the quilt and it sat on a shelf for a year or more.

At some point last year I hauled it out again and pinned it to my design wall so that it would not be too far from my thoughts . . . but, still I did nothing with it.

Yesterday, however, I re-discovered one of my favourite books and the wonderful natural life created in fibre by Annemeike Mein, and I decided to play a little bit with a different style of butterfly.    I don't know exactly how she makes her butterflies but I made up my own version using her photos as inspiration.

Here are the wings I made, created as two units of upper and lower wings, free motion stitched in a variety of threads. They have been created on green silk organza with heavy duty Solvy used as a backing.


I still have to create the body of the butterfly, but I am pleased with this first attempt.

More of the northern lights

This is the second art quilt in my Northern Lights series and you will see many similarities in design to the first one . . . for this art quilt, I needle felted the aurora borealis in another lively design but when I was quilting, I also densely quilted the background of the sky.  The trees in this art quilt are made from commercial batik that is dark teal and is great for nighttime trees. I like the way that the trees are silhouetted against the bright sky.

The wool roving that I have used has a beautiful sheen to it which works very well in creating the lights.  There is a bit of purple and blue added to the deep indigo sky which adds a wonderful depth. Below is a closeup of part of the treeline.

This art quilt measures 15.5" x 24" and has a black backing and a hanging sleeve. The colours in these photos are not a vibrant as they are in real life, so I will be taking some more using different camera settings to see how I can make them better.

Northern Lights Art Quilt

Sometimes an image lodges in my mind and I can't let go of it . . . that is the way it has been with the thoughts of this art quilt depicting the Northern Lights.  Since "the kids" moved to the Yukon a couple of years ago I have become enraptured by the history and the landscape of that beautiful part of the world.

The northern lights can be many colours and shapes . . . they might greens and yellows that swirl and dance, or pinks and purples that envelop the sky, or any combination. I wanted to portray their ethereal quality using soft wisps of wool roving needle felted into a dark sky . . . and so this art quilt was born.

The sky was needle felted onto a base of two layers of black quilt batting that were first felted with midnight blue roving with a touch of violet added to it and then the northern lights were added with wisps of light greens, yellow and a touch of blue, some of which have a bit of gloss to the wool.

The tree line and lower section of the quilt were created using hand dyed fabric that I over-painted with a wash of black and green textile paint to further subdue it. That fabric was backed with fusible web and then I freehand cut the tree line.

The northern lights were free motion stitched in sweeping curves, using invisible thread and the lower section was quilted in a free motion design somewhat representative of a forest.

This art quilt measures 13" x 22.5" (33 x 57 cm) and is backed with black cotton with a hanging sleeve.

I can see that this will be only the first of a series of quilts with a northern lights theme ... in fact, I might have to go and start the next one right now . . .

Remedial Work on a Quilt

This is the first quilt I ever made . . . I think it was in 1996 and it was lovingly created for my son who used it from that day on, for many years.  I hadn't seen it for the past few years and discovered the reason recently . . . it had been chewed by their Leonberger when he was a puppy . . . lovingly chewed, I am sure.

When we visited the kids at Christmas this year I offered to do some repairs on this quilt and so I packed a little bag with scraps of similar fabric (I even had a few scraps of the very fabric I used originally) and a bit of quilt batting along with my needle and thread. Before going, I received this photo of one of chewed holes so I made a big log cabin block in case I wanted to use it as one of my reconstructive surgery.

I didn't intend to pull the quilt apart and re-make it . . .  I wanted to somehow honour the life that this quilt has lived for over fifteen years, including the chewed holes.  I first used some of my little scraps to create band-aids for the holes on the back of the quilt . . . some of them are shaped like leaves and others are more geometric in shape. I then moved to the front of the quilt (the most damaged) and trimmed away the rough edges before inserting a piece of quilt batting and then putting the pre-made quilt block on top of the damaged area.  I skewed the orientation of the block so that it is very obvious what I have done . . . and then I hand quilted it in place.

The repaired quilt has retained all the love of the original and the repairs will have their own history . . . "remember when Uli chewed this quilt and then Nana fixed it". The other chewed areas were repaired with strips of fabric that were quilted in place and a couple of leaf shapes now cover areas where the fabric was becoming very thin.

I think this quilt will be snuggled under while watching many more hockey games . . . and the repairs are functional ... with just a little nod to my passion for art quilting.

Felted Fibre Art Cuffs

This is a busy time of year for those who sell handmade items for the Christmas market. Right now, I am in between two artisans show/sales in which I am participating this year . . . and I'd like to tell you about one of the items that I have created for these sales.  Cuff bracelets have been appearing in a variety of fibres and techniques over the past couple of years and I started selling some of them in my Etsy shop this year. They have been fun to create because of the incredible scope of embellishment.

I make cuffs in many techniques, but the cuffs pictured in this post are needle felted . . . dyed wool roving, threads, spun yarn and even bits of silk have been needle felted onto a base of either felted wool or synthetic wool and then they have been accented with hand embroidery stitches and a bit of beading before adding the handmade button closures. These buttons are from another Etsy seller, 2goodclaymates who also happens to live in the Shuswap area.  Carolyn custom matched the colours in some of the cuffs to come up with the buttons ... and others I found in her "ready made" collection.

The cuff on the left in the photo above has the added flourish of a burned organza ruffle around the edges which makes it so spectacular on your arm.

These cuffs are some that I created this week after selling so many of my cuffs at the sale last weekend, that I had to replenish my stock. If they don't sell this weekend, they will later be listed in my Etsy shop.

If you live in the Okanagan . . . do drop in at the Okanagan Artisans Show and Sale at the Best Western Vernon Lodge (in Vernon) this Friday, November 23 (noon to 9pm) and Saturday (9:30-3:30).  I will be there along with my felting friend, Gwen Martinuk who will be selling her gorgeous felted scarves and accessories as well as delightful felted birdhouses ... you'll fall in love with them as soon as you see them! 

Rhapsody in Blue

 The silk fibres in this silk fusion were hand dyed using kool-aid . . . the blue and purple took beautifully and have resulted in a smooth harmony.  The silk fusion was stitched to a background of black dupioni silk and backed with black quilt batting.  I used free motion machine stitching, hand embroidery, and beading to accentuate portions of the silk fusion and then hand-couched some rich turquoise hand spun yarn to the surface.  The piece was then mounted on a stretched artist's canvas.

On the long dangling ends of the yarn I have added some fibre art beads that I created by hand painting tyvek from some old envelopes and then heat distressing it along with some synthetic organza and tulle in the same turquoise and purple colours.  Additional seed beads and larger beads have been added for more interest. The bead dangles are asymmetrical ... and hang several inches below the bottom of the canvas.

This piece has a picture hanging wire on the back so it hangs from a nail on your wall just like any painting. This piece measures 20" x 16".  It is currently entered in the Shuswap Lake Festival of the Arts and will later be available for sale in my Etsy shop.

PS - On opening night at the Shuswap Lake Festival of the Arts, I found that this piece had received a Juror's Choice Award.

Sorrento is 100 Years Old

I live near the village of Sorrento which is located about half way between Vancouver and Calgary on the Trans Canada Highway.  This year Sorrento is celebrating it's 100th Anniversary and there are lots of celebrations taking place throughout the year.

The Shuswap Lake Festival of the Arts is an art show and sale that takes place in the village every July.  This year I wanted to create something that would speak to the 100th anniversary, and I decided on an art quilt that would represent a bit of the landscape of the area and have some words that would celebrate 100 years.

I was originally going to do a topographical map of the area but started sketching a slightly aerial view looking down the lake and my hubby was so taken with the sketch that he convinced me I should try this image in fabric.  In this image, Sorrento is located in the foreground of the piece (I chose not to include any buildings or highways ... only the land and the lake which have remained the same for 100 years) and looking further east down the lake you can see Copper Island in the middle and the mouth of Blind Bay on the right side (since it really is a blind bay, you can't see that opening when you are just looking east at lake level ... but I wanted to have it more noticeable since that's where I live!).

The dates, 1912 - 2012 and the name, Sorrento BC, have been stencilled onto the asymmetrical borders using Shiva Paintstiks in two colours to give the letters a bit of character. The texture that has been quilted over the landscape portion has been achieved by writing a little story about Sorrento in free motion quilting.  It is my first attempt at writing free motion so I am sure that future art quilts will show some improvement but I am very pleased with the effect that it creates.  Both the stencilling and the quilted writing were something that was covered in a course I took this spring with Catherine Nicholls ... it was a great workshop and I came away with numerous things that I would like to experiment with.

The heart that is quilted into the top left corner of the quilt is there because Sorrento is known as
"The Heart of the Shuswap".

Tree of Life - the finale

It's been a long time since my last blog post so . . . . as I said at that time, this tree of life landscape was commissioned to be used as a book cover so there were some design factors that had to be considered for it to be functional as well as an inspiring piece of art.  After a consultation, we decided to eliminate the roots of the tree and bring in more of the spring garden aspect of the landscape.

I re-worked the lower section of the landscape with a cheery hand dyed green fabric and then added flowers in the garden with hand embroidery.  It is a representation of the memorial garden at Sorrento Centre.

The book cover was then cut down the spine and I inserted another piece of hand dyed fabric that I printed with the name of the centre.  There is a pocket in the front flap to hold pamphlets or papers and it has been tightly fit to the scrapbook sized binder.

Work in Progress - Tree of Life Landscape

It's been ages since I have last posted new work ... but it's certainly not because I have been idle.  The winter has been full of fibre art experiments, workshops and dabblings . . . and now that spring is underway, I feel that I would like to post some photos of a piece that I am working on right now.

This is a small art quilt that will not see life as a wall hanging, but as a book cover ... I will post more on that, and final photos, once it has been presented to the organization that commissioned it.  In order to make this as durable as possible, I had to reject some of the techniques and fibres that I might have liked to use in this piece.  Because it will be handled (although not heavily) I felt that I should use woven fabric and stitching to achieve the look I wanted.  The fabric is all hand-dyed or hand-painted ... some of it by me, some by others.

The background design is a slightly abstract landscape of our beautiful Shuswap Lake and the tree has been created as a tree-of-life, with the roots going down into the ground and the branches and leaves reaching to heaven.  The tree has some limbs that have been cut off at some time, but the other branches are still carrying on and bringing life to the myriad leaves, represented by hand stitching in a variety of green threads.

There is still more work to be done on it, but I am pleased with how it is developing.

Swatch Stitch and Stash

This is the sample for a 4-day workshop that I will be teaching at Sorrento Centre in April. My class is entitled "Swatch, Stitch and Stash" because we will be using stitching up swatches of fabric from your stash to create a fibre art journal of the techniques that you learn during the workshop.

Some of the techniques will include creating your own unique fabric, fibre art beads, silk fusion, a variety of edge finishings, needle felting, accent embroidery stitches, free motion machine stitching, thread painting, original cords and covered sticks, thread lace and beading ... and then the samples will be compiled into a journal format that will be either accordion style(like the one pictured here) or an "infinite journal" using grommets and rings. Click on the photos to zoom in for the details.

This is a workshop that will engage intermediate level art quilters but will also be great for those who are just taking their first steps in this area ... you do, however, need to have a good knowledge of your sewing machine.

This workshop is a retreat format ... delicious meals and accommodation are included in the package price ... Call Sorrento Centre at 250-675-2421 to register.

Daisy a Day

This is a little art quilt that I created as a sample for a class I will be teaching at Pleasant Valley Quilt Shop in Armstrong, BC in April. The main focus of the class will be creating a piece of unique fabric from bits and pieces of fabric, thread, glittery bits and organza and then the participants will use that piece of unique fabric to embellish an art quilt, a purse or a greeting card. It is such a fun "play day" and I thought you might like to see how I translated it into an art quilt.

The centres of the flowers are heavily beaded with additional bead dangles and the dragonfly is adorned with a few tiny seed beads and black sequins for his big eyes ... the wings have been made from Angelina that has been stitched with silver thread.

The grasses blowing in the breeze have been created from organza that has been stitched and then the edges have been left to fray in order to create more wisps.

The stem of the plant has been created by layering two decorative ribbons and yarn and then free motion stitching to give even more texture. The leaves on the plant are made from another piece of unique fabric that I created in green tones.

The background has been stitched in midnight blue thread. The outer edge of the art quilt has been couched with shiny black cord.

This art quilt measures approximately 12" x 20"

Felted Wool Purse

I have spent some time playing with felting recently and came up with this purse which incorporates both needle felting and wet felting.

The background of the purse is black wool melton to which I needle felted some luscious plum and grey wool and silk roving ... leaving it trailing off into soft wisps. Next I used my sewing machine and black thread to free motion stitch a design over the felted fibres as well as the background. I added a few lines of iridescent thread drifting across the bag as well. In the next step I needle felted some pieces of hand dyed, hand spun yarn that I had been given by a spinning friend ... I love the thick and thin areas of the yarn as well as the little knobs that form where some of the thin areas twist on themselves. I didn't want to flatten the yarn too much so it is lightly felted and then I included a few judicious hand stitches (and a sprinkling of beads)to make sure that it holds in place. The back side of the bag has been created in the same way.

I wanted to make a jazzy flower for the lower corner of the bag so I set to work and made some wet felted balls from plum wool and from the wool/silk fibre ... I also made a few worm-y shaped pieces which I curled up a bit before letting them dry. These pieces were assembled to create the gorgeous flower, adorned with beads that graces the front of the bag.

This purse is lined with hand dyed fabric in plum and blue/grey tones and it has a zipper closure across the top with a wool tassel. The strap is cotton webbing that has been securely stitched to each side of the bag. The bag measures approximately 8.5" x 10" with a 17" drop from shoulder to bag.

This bag will be inspiration for a class that I will teach this spring, but in the meantime, this one might end up in my Etsy shop.

I wish you a very Merry Christmas and a Healthy and Happy New Year!